搬運(yùn)自：微信公眾號【評論搬一堆】（在原文基礎(chǔ)上添加了英語原文與排版調(diào)整）

翻譯：Chris.Yin

審譯：Joonly EC

排版：Ryan-Chopin

Grimes’ new music this year has often resembled roguish, pessimistic concept art. With?stomping nü-metal transhumanism?and?sinister synthpop about abusive power dynamics, the dystopian conceit of her upcoming climate change-themed?Miss Anthropocene?has so far hinged on audacious genre-hopping and overly affected lyrics, for better and for worse. Grimes’ latest offering, the six-minute downtempo odyssey “So Heavy I Fell Through the Earth,” feels like an inevitable comedown from the rave-ups, with the forceful theatrics supplanted by a languid pace and insular frame of mind.

今年Grimes新單的風(fēng)格類似于俏皮又有些悲觀的概念藝術(shù)。由于帶有新金屬的超人類主義元素和過度用力的合成器流行樂，不管怎樣，大膽做作的歌詞造就了她即將推出的以氣候變化為主題的專輯《Miss Anthropocene（《新人世小姐》）》這一反烏托邦奇想。Grimes最新推出的長達(dá)6分鐘的節(jié)奏緩慢的《So Heavy I Fell Through the Earth（重墜地球）》表達(dá)了一種低落的情緒，這感覺就像是狂歡中不可避免的潦倒，而緩慢的節(jié)拍和與世隔絕的心境取代了強(qiáng)有力的戲劇性。

Grimes seems even more emotionally fraught than we last heard on the slick, breathless “Violence.” She coos of feeling so “weighed down” by love that she fears the ground beneath her could give way, extending another dark, complicated notion of violence as comfort. Of course, Grimes had a more elaborate storyline in mind for the song: Back in February, she teased a?concept art sketch?of a dragon and an angel locked in mid-air combat above the caption, “Massive battle scene.” You can imagine that fantastical deathmatch in torpid slow motion, then, with Grimes’ murmured vocals and gloomy, minimalist production alluding to more unrest to come.

與上一次華而不實(shí)的“Violence（暴力）”相比，這一次Grimes似乎更加煩躁不安。她感覺自己被愛情“壓倒”，以至于她害怕自己腳下會(huì)崩裂，并延伸出另一種黑暗，復(fù)雜地把暴力刻畫得如同安慰一樣。當(dāng)然，Grimes對這首歌的構(gòu)思更為復(fù)雜：回首二月，她嘲笑了那副把巨龍大戰(zhàn)天使定格在標(biāo)題之上的概念藝術(shù)草圖，標(biāo)題為“Massive battle scene（浩劫）”。你可以想象，在緩慢的節(jié)拍中發(fā)生了荒誕的死亡競賽，然后，由于Grimes喃喃的嗓音和憂郁的情緒的渲染，簡約主義者的作品暗示著更多動(dòng)蕩的到來。