搬運自：微信公眾號【評論搬一堆】（在原文基礎(chǔ)上添加了英語原文與排版調(diào)整）

原文鏈接：https://pitchfork.com/features/laists-and-guides/the-200-best-albums-of-the-2010s/?

翻譯：Vivian

校對：Tyler Smith

推送：Lynn Liu

Hellboy?was released while Lil Peep was a teen, just a few years before he died. The mixtape is focused on pain and how he hoped his might dissipate, and how he figured it probably wouldn’t. That he wasn’t wrong makes listening to the album feel like hearing a very loud alarm with a signal you cannot heed. The isolation at the core of his music wasn’t particular to him; he was just particularly good at distilling it. About the insistence of his depression, despite newfound success, he raps, “I used to wanna kill myself/Came up, still wanna kill myself.” It’s particularly bittersweet that he made it sound so tantalizing, the sound of his voice rich over the borrowed riffs of emo bands and electronic music producers. If you’ve ever felt that way, his music assures you that you’re not alone—and if you haven’t, he gives you a glimpse of what that suffering feels like. –Matthew Schnipper

?Hellboy?是Lil Peep在青少年時期制作的專輯，發(fā)行日期就在他逝世的幾年前。這張混音專輯傳達(dá)了他的痛苦：他渴望其消失并得到解脫，卻意識到這樣的渴望并不一定會成為現(xiàn)實。這張專輯聽起來像是他在死前發(fā)出的警告，但聽眾卻無法在那時預(yù)知他的結(jié)局。他并不是唯一一個通過音樂表達(dá)疏離的藝術(shù)家，但他善于對感覺進(jìn)行凝練。成功沒有消除抑郁癥對他帶來的持續(xù)影響，他唱到：“I used to wanna kill myself/Came up, still wanna kill myself.”在情緒搖滾的吉他和弦與電音伴奏中，他的聲音充滿厚度。死亡聽起來是迷人的，仿佛痛苦中也參雜著甜蜜。他的音樂在提醒你，如果你也曾感同身受，那么你從不是孤身一人。而哪怕你尚未目擊末日，他也向你揭示了苦難的冰山一角。