原地址：http://ourstarblazers.com/vault/519a/

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受新冠疫情影響，大和號(hào)2202的總集篇延遲上映，2205也不知道什么時(shí)候能有新的消息。

本次的訪談翻譯同樣摘錄于ourstarblazers網(wǎng)站。

人物名稱(chēng)對(duì)照：

Harutoshi Fukui——福井晴敏

（PS：新高父現(xiàn)在擔(dān)任新版大和號(hào)的系列構(gòu)成和腳本，估計(jì)一時(shí)半會(huì)不會(huì)去管高達(dá)了——雖然很多UC粉巴不得這家伙卷鋪蓋滾蛋就是了。）

Koichi Yamadera——山寺宏一

山寺宏一參與到宇宙戰(zhàn)艦大和號(hào)系列配音的工作經(jīng)歷最早追溯到PS2游戲暗黑星云帝國(guó)三部曲，游戲中的古代進(jìn)由他負(fù)責(zé)配音。后在09年的劇場(chǎng)版《宇宙戰(zhàn)艦大和號(hào)復(fù)活篇》中，他是成為了第二代宇宙戰(zhàn)艦大和號(hào)艦長(zhǎng)的古代進(jìn)的CV。在大和號(hào)系列自13年的2199起開(kāi)始重置后，山寺宏一便為新版系列的阿爾貝特·迪斯拉總統(tǒng)配音。

而在老版宇宙戰(zhàn)艦大和號(hào)系列里，為迪斯拉總統(tǒng)配音的是伊武雅刀前輩，而在圓古和日升合作的第一個(gè)動(dòng)畫(huà)奧《喬尼亞斯奧特曼》里，伊武雅刀前輩是老喬本尊的CV。而老喬人間體光超一郎的CV富山敬便是老版宇宙戰(zhàn)艦大和號(hào)里古代進(jìn)的CV。

（富山敬先生已經(jīng)作古，在此向他致敬）

?A Space Battleship Yamato compilation as a mirror image of our times ~ What will happen in 2205!

Interview with Harutoshi Fukui and Koichi Yamadera

Published by Mantan Web on January 1. See the original post here.

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Age of Yamato, a compilation of the popular anime series Yamato 2199 and Yamato 2202, will premiere on January 15. Harutoshi Fukui, who wrote 2202, has configured this compilation with a new perspective. It summarizes the history of Yamato and humanity’s voyage from the 1969 moon landing to the arrival at Mars in 2042 to the Battle of Gatlantis in 2202. The appeal of Age of Yamato is that it’s not just a compilation.

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We spoke about it with Mr. Fukui and Koichi Yamadera, who played Dessler in 2199 and 2202. We also talked about the upcoming Yamato 2205, The New Voyage.

一個(gè)宇宙戰(zhàn)艦大和號(hào)的總集將是我們時(shí)代的映像——2205將會(huì)發(fā)生什么！

對(duì)福井晴敏以及山寺宏一的采訪。

1月1日由Mantan網(wǎng)發(fā)布（原文提供了原始網(wǎng)頁(yè)的鏈接）

廣受歡迎的動(dòng)漫系列宇宙戰(zhàn)艦大和號(hào)2199與宇宙戰(zhàn)艦大和號(hào)2202的總集篇《大和號(hào)的時(shí)代》將于1月15日首播（然后就延期了……）。2202的作者福井晴敏為這部總集篇提供了一個(gè)全新的視角。它總結(jié)了從1969年登月到2042年抵達(dá)火星，再到2202年的加特蘭蒂斯戰(zhàn)役，大和號(hào)與人類(lèi)的航行歷史。《大和號(hào)的時(shí)代》的吸引力在于它不僅僅是一個(gè)總集篇。

我們與福井晴敏先生以及在2199和2202中分別為迪斯拉總統(tǒng)配音的山寺宏一先生談過(guò)這些問(wèn)題，也談及了即將到來(lái)的《宇宙戰(zhàn)艦大和號(hào)2205：新的旅程》。

Everything became clear to me with 2202

Interviewer: How did you meet Space Battleship Yamato?

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Yamadera: The TV anime started when I was in the first year of junior high school. At that time, the image was “anime is for kids,” but this was amazing! I was hooked and watched it every week. Even before my voice changed, I was imitating Kodai. I also imitated Dessler’s voice, but I couldn’t get the words out. (Laughs) I learned that Kei Toyama, who played Kodai, also played Naoto Date in Tiger Mask! It was one of the works that made me aware of voice acting.

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Fukui: I was still a little kid when it was popular, but in time the boom made its way down to children, and I watched the reruns. When I was in the fourth grade, I shed tears during the last episode in front of a black and white TV.

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Interviewer: Mr. Yamadera, you play the role of Dessler. What did you feel while playing Dessler in 2202, which was written by Mr. Fukui?

?我與2202的一切逐漸變得明晰

記者：你是如何遇見(jiàn)宇宙戰(zhàn)艦大和號(hào)的？

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山寺宏一：電視動(dòng)畫(huà)是我在初中一年級(jí)的時(shí)候開(kāi)始的。當(dāng)時(shí)的形象是“給孩子看的動(dòng)漫”，但那真的是太棒了！我迷上了它，每周都會(huì)去看。甚至在我變聲前，我就在模仿古代進(jìn)，我也在模仿迪斯拉的聲音，但我不能把話說(shuō)出來(lái)。（笑）古代進(jìn)的CV富山敬也曾在《Tiger Mask》中配音Naoto Date，這也是讓我意識(shí)到聲優(yōu)存在的作品之一。

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福井晴敏：當(dāng)它流行的時(shí)候，我還是個(gè)孩子，但后來(lái)隨著時(shí)間的推移，它的流行影響到了孩子們，而我看了大和號(hào)的重播。在我四年級(jí)的時(shí)候，我在黑白電視機(jī)前看最后一集的時(shí)候流下了眼淚。

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記者：山寺先生，您配音的角色是迪斯拉。您對(duì)福井先生執(zhí)筆的大和號(hào)2202中的迪斯拉有什么感覺(jué)？

Yamadera: In 2202, Mr. Fukui delved into Dessler, and everything became clear to me. His older brother is brilliant and has a complex mind. I was happy to see the past depicted. It was difficult, but the more difficult it was, the more rewarding it was and the more joyful it was to play.

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Fukui: Dessler is a character that can be perceived in different ways depending on the work. In the first movie, he was a superhuman emperor, but in Farewell to Yamato he saw Kodai and the others in their human form, and then he realized that he was a human being before he died. He went from being an emperor to an exiled prince. 2202 follows the original story, but in a way that is easy to understand.

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Yamadera: Keyman came out of 2202 and he’s on board Yamato, which is cool. At first, Dessler didn’t appear, so I thought, “What’s the deal?” (Laughs) But after I realized the connection, I started to love him.

山寺宏一：在2202，福井先生深入研究了迪斯拉，一切對(duì)我來(lái)說(shuō)逐漸明朗。迪斯拉的哥哥才華橫溢而且頭腦復(fù)雜。我很高興看到過(guò)去被描繪出來(lái)。這很困難，但越困難，就越有回報(bào)，觀看的時(shí)候也就越開(kāi)心。

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福井晴敏：迪斯拉是一個(gè)可以根據(jù)作品以不同方式探知的人物。在第一部大和號(hào)作品里，他是一個(gè)超人一樣的皇帝，但在《永別了宇宙戰(zhàn)艦大和號(hào)》里，他看到了古代進(jìn)以及其他人的人形，然后在死前意識(shí)到自己也是一個(gè)人類(lèi)。他從一個(gè)皇帝變成了一個(gè)流放的王子。大和號(hào)2202延續(xù)了原本的故事，不過(guò)是一種容易理解的方式。

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山寺宏一：基曼在2202里出現(xiàn)，他在大和號(hào)上，這很酷。期初，迪斯拉沒(méi)有出現(xiàn)，我在想“這是怎么回事？”（笑），但當(dāng)我意識(shí)到這種聯(lián)系后，我開(kāi)始喜歡基曼這個(gè)角色。

As a result, it became closer to modern history

Interviewer: Mr. Yamadera, what did you feel when you watched Age of Yamato?

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Yamadera: I thought it would be a compilation, but I was surprised from the beginning. I was impressed to see it from a new angle. Miyuki Sawashiro is also very active in the narration! It was like a news program.

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Fukui: That was my goal.

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Interviewer: Why did you choose the documentary style?

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Fukui: What kind of age is “Age of Yamato“? It’s a bit of a stretch, but isn’t it the case that new aliens attack us every year? Is that too Manga-like? But in this day and age, disasters happen every year. I wouldn’t be surprised if aliens came next year, and anything could happen. We live in an age where Yamato can be portrayed as a mirror image of today. I made it a documentary so that people can feel that.

作為一個(gè)結(jié)果，它更加接近現(xiàn)代歷史

記者：山寺宏一先生，當(dāng)您觀看大和號(hào)的時(shí)代時(shí)是什么感受？

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山寺宏一：我原以為它會(huì)是一個(gè)總集篇，但從一開(kāi)始我就感到驚訝。讓我印象深刻的是，我是從一個(gè)新的角度來(lái)看待它。澤城美雪在敘事中也非常活躍！就像一個(gè)新聞節(jié)目。

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福井晴敏：那正是我的目標(biāo)。

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記者：您為什么選擇紀(jì)錄片的風(fēng)格？

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福井晴敏：“大和號(hào)的時(shí)代”是一個(gè)什么時(shí)代？這聽(tīng)起來(lái)有點(diǎn)夸張，但每年都有新的外星人攻擊我們，不是嗎？是不太像漫畫(huà)了*？但在這個(gè)時(shí)代，每年都會(huì)發(fā)生災(zāi)難。如果明年外星人來(lái)了，我不會(huì)感到驚訝，因?yàn)槿魏问虑榻杂锌赡馨l(fā)生。我們生活在一個(gè)大和號(hào)可以被描繪成如今時(shí)期的鏡像的時(shí)代。我把它拍成了紀(jì)錄片，這樣人們就能感受到這一點(diǎn)。

*：大文豪這里可能是想說(shuō)在老版宇宙戰(zhàn)艦大和號(hào)系列里，地球一直遭到外星種族的侵略。（大和號(hào)打過(guò)的外星種族：加米拉斯、加特蘭蒂斯、暗黑星云帝國(guó)、加魯曼·加米拉斯、波拉聯(lián)邦、丁格爾帝國(guó)和SUS等）

Interviewer: What was the core of the compilation? The story is told from Shiro Sanada’s point of view, which is also innovative.

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Fukui: I think Yamato is the story of Susumu Kodai, so I wanted to keep that intact. However, if Kodai tells the story, it will be biased. I chose Sanada because I wanted to look at it from a different angle. Who did what? This is the basis of the human drama. I think that even people who have never seen the Yamato series before can easily get into it.

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Interviewer: What was the appeal of Yamato that you felt again through the compilation?

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Yamadera: It’s made in a documentary style, and it’s a very real story, not imaginary. There is a lot of anxiety in the world right now, so I felt it was very real. I was even more moved by the story told from Sanada’s perspective.

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Fukui: Basically, I think it’s a copy of the modern world. I worked hard on it together with Yuka Minagawa (scriptwriter) and Junichiro Tamamori (concept advisor). In the story, there hadn’t been a war for 200 years, so I never thought of Yamato as a memorial monument. 200 years after overcoming various disasters and plagues, it would be like us living in a bubble. Then in the 2190’s, the clouds darkened because of the Martian rebellion, and as a result it became more like modern history. It’s an interesting point.

記者：總集篇的核心內(nèi)容是什么？這個(gè)故事從真田志郎的角度來(lái)講述是很有創(chuàng)意的。

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福井晴敏：我認(rèn)為大和號(hào)是古代進(jìn)的故事，所以我想保持它的完整性。然而如果古代進(jìn)講述了這個(gè)故事，它將是有偏見(jiàn)性的。我選擇了真田是因?yàn)槲蚁霃囊粋€(gè)不同的角度來(lái)看待它？誰(shuí)做了什么？這是人類(lèi)戲劇的基礎(chǔ)。我想即使是從未看過(guò)大和號(hào)系列的人也能很容易的了解它。

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記者：通過(guò)總集篇，你再次感受到什么是大和號(hào)的吸引力？

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山寺宏一：它是以紀(jì)錄片的形式制作的，而且它是一個(gè)非常真實(shí)的故事而不是虛構(gòu)的?，F(xiàn)在這個(gè)世界上存在許多困擾，所以我覺(jué)得它很真實(shí)。更讓我感動(dòng)的是從真田的角度來(lái)講述這個(gè)故事。

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福井晴敏：基本上，我認(rèn)為它是現(xiàn)代世界的復(fù)制品。我與與Yuka Minagawa(編劇)和Junichiro Tamamori(概念顧問(wèn))共同為此付出努力。在故事中，已經(jīng)有200年沒(méi)有戰(zhàn)爭(zhēng)了，所以我從來(lái)沒(méi)有想過(guò)要把大和號(hào)作為一個(gè)紀(jì)念碑。在戰(zhàn)勝各種災(zāi)難和瘟疫200年后，我們就像生活在一個(gè)泡沫里。然后在2190年，由于火星殖民者的反抗，戰(zhàn)爭(zhēng)的陰云再次籠罩人類(lèi)，結(jié)果它變得更像現(xiàn)代歷史。這是一個(gè)有趣的觀點(diǎn)。

Depicting 2205 in a time of unrest

Interviewer: This year, Yamato 2205, The New Voyage will be released. What kind of film will it be?

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Yamadera: I’m participating in the voice recording, but I don’t know what’s going to happen. There’s no explanation for the cast. You find out by looking at the script. Surprisingly, there are no explanations in other works, either.

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Fukui: I’m sure it will meet most of the expectations of people who have seen the original New Voyage. What we’re doing is the same, but what we’re saying is different.

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Yamadera: We’re in a lot of trouble right from the start. I’m suddenly tired. (Laughs) Yes! And then there’s a glimmer of hope…

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Fukui: If 2202 was the mood ten years after the earthquake, then 2205 is depicted in a time of continuing unrest. I’m rethinking the current situation. The word “hope” tends to spin out of control, but in 2205 you can confirm its weight and importance.

描繪了2205的動(dòng)蕩時(shí)期

記者：今年《宇宙戰(zhàn)艦大和號(hào)2205：新的旅程》將會(huì)發(fā)布。這是一部什么樣的作品？

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山寺宏一：我正在參與錄音，但我不知道會(huì)發(fā)生什么。沒(méi)有對(duì)配音陣容的解釋。你可以通過(guò)看劇本找到答案。顯而易見(jiàn)，在其他作品中也沒(méi)有任何解釋。

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福井晴敏：我相信它會(huì)滿足那些看過(guò)老版新的旅程的大部分期待。我們做的是一樣的，但我們說(shuō)的是不同的。

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山寺宏一：我們從一開(kāi)始就有很多麻煩。我突然感到累了。（笑）是的！然后就有了一線希望。

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福井晴敏：如果說(shuō)2202是地震十年后的事情，那么2205則是在一個(gè)持續(xù)動(dòng)蕩的時(shí)期。我在重新考慮目前的情況。“希望”這個(gè)詞往往會(huì)失去控制，但在2205里，你可以確認(rèn)它的分量與重要性。

完。